Story review skill

Review work after prose exists: editorial review, craft critique, continuity/voice review, copyediting, proofreading, and synthesis of reader-sim signal.

by haowjy·Apache-2.0 license·★ 506 Stars on the repo·GitHub ↗

Use now

Files of Story review

haowjy/main1 file shown
SKILL.md
Show the full text43 lines
story-review/SKILL.md43 lines · 1.8 KB
RawView on GitHub

Story Review

Analytical review of existing prose. This skill is for diagnosis, not rewriting. Keep /reader-sim separate when the task needs a felt first-time reader experience rather than analytical critique.

Choose the review level before reading. Start big before small unless the caller explicitly asks for a late-stage pass. The edit levels move from structural to surface, and each assumes the levels above it are stable:

  • Editorial review — holistic third-party book-editor pass. What kind of revision does this draft need, and in what order?
  • Developmental edit — structure, promise, causality, pacing, character arc. Is the draft the right shape?
  • Line edit — voice, rhythm, clarity, texture. Does the prose move well?
  • Copyedit — grammar, usage, punctuation, consistency. Is it correct?
  • Proofreading — final surface pass. What slipped through?

Each level has a dedicated resource with method and checklist:

  • resources/editorial-review.md
  • resources/developmental-edit.md
  • resources/line-edit.md
  • resources/copyedit.md
  • resources/proofreading.md

For adversarial craft critique (as opposed to editorial review), load:

  • resources/prose-critique.md — methodology and focus-area routing.
  • resources/prose-critique/ — deep resources per focus area (structure, character, voice, prose, continuity).

When review incorporates reader-sim data:

  • resources/reader-sim-signal.md — how to interpret and synthesize reader-sim output alongside analytical critique.
1---
2name: story-review
3description: |
4 Review work after prose exists: editorial review, craft critique, continuity/voice review, copyediting, proofreading, and synthesis of reader-sim signal. Load when diagnosing a draft rather than rewriting it.
5---
6 
7# Story Review
8 
9Analytical review of existing prose. This skill is for diagnosis, not
10rewriting. Keep `/reader-sim` separate when the task needs a felt first-time
11reader experience rather than analytical critique.
12 
13Choose the review level before reading. Start big before small unless the
14caller explicitly asks for a late-stage pass. The edit levels move from
15structural to surface, and each assumes the levels above it are stable:
16 
17- **Editorial review** — holistic third-party book-editor pass. What kind of
18 revision does this draft need, and in what order?
19- **Developmental edit** — structure, promise, causality, pacing, character
20 arc. Is the draft the right shape?
21- **Line edit** — voice, rhythm, clarity, texture. Does the prose move well?
22- **Copyedit** — grammar, usage, punctuation, consistency. Is it correct?
23- **Proofreading** — final surface pass. What slipped through?
24 
25Each level has a dedicated resource with method and checklist:
26 
27- `resources/editorial-review.md`
28- `resources/developmental-edit.md`
29- `resources/line-edit.md`
30- `resources/copyedit.md`
31- `resources/proofreading.md`
32 
33For adversarial craft critique (as opposed to editorial review), load:
34 
35- `resources/prose-critique.md` — methodology and focus-area routing.
36- `resources/prose-critique/` — deep resources per focus area (structure,
37 character, voice, prose, continuity).
38 
39When review incorporates reader-sim data:
40 
41- `resources/reader-sim-signal.md` — how to interpret and synthesize
42 reader-sim output alongside analytical critique.
43 

Discussion