Story review skill
Review work after prose exists: editorial review, craft critique, continuity/voice review, copyediting, proofreading, and synthesis of reader-sim signal.
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Story Review
Analytical review of existing prose. This skill is for diagnosis, not
rewriting. Keep /reader-sim separate when the task needs a felt first-time
reader experience rather than analytical critique.
Choose the review level before reading. Start big before small unless the caller explicitly asks for a late-stage pass. The edit levels move from structural to surface, and each assumes the levels above it are stable:
- Editorial review — holistic third-party book-editor pass. What kind of revision does this draft need, and in what order?
- Developmental edit — structure, promise, causality, pacing, character arc. Is the draft the right shape?
- Line edit — voice, rhythm, clarity, texture. Does the prose move well?
- Copyedit — grammar, usage, punctuation, consistency. Is it correct?
- Proofreading — final surface pass. What slipped through?
Each level has a dedicated resource with method and checklist:
resources/editorial-review.mdresources/developmental-edit.mdresources/line-edit.mdresources/copyedit.mdresources/proofreading.md
For adversarial craft critique (as opposed to editorial review), load:
resources/prose-critique.md— methodology and focus-area routing.resources/prose-critique/— deep resources per focus area (structure, character, voice, prose, continuity).
When review incorporates reader-sim data:
resources/reader-sim-signal.md— how to interpret and synthesize reader-sim output alongside analytical critique.
| 1 | |
| 2 | name story-review |
| 3 | description | |
| 4 | Review work after prose exists: editorial review, craft critique, continuity/voice review, copyediting, proofreading, and synthesis of reader-sim signal. Load when diagnosing a draft rather than rewriting it. |
| 5 | |
| 6 | |
| 7 | # Story Review |
| 8 | |
| 9 | Analytical review of existing prose. This skill is for diagnosis, not |
| 10 | rewriting. Keep `/reader-sim` separate when the task needs a felt first-time |
| 11 | reader experience rather than analytical critique. |
| 12 | |
| 13 | Choose the review level before reading. Start big before small unless the |
| 14 | caller explicitly asks for a late-stage pass. The edit levels move from |
| 15 | structural to surface, and each assumes the levels above it are stable: |
| 16 | |
| 17 | **Editorial review** — holistic third-party book-editor pass. What kind of |
| 18 | revision does this draft need, and in what order? |
| 19 | **Developmental edit** — structure, promise, causality, pacing, character |
| 20 | arc. Is the draft the right shape? |
| 21 | **Line edit** — voice, rhythm, clarity, texture. Does the prose move well? |
| 22 | **Copyedit** — grammar, usage, punctuation, consistency. Is it correct? |
| 23 | **Proofreading** — final surface pass. What slipped through? |
| 24 | |
| 25 | Each level has a dedicated resource with method and checklist: |
| 26 | |
| 27 | `resources/editorial-review.md` |
| 28 | `resources/developmental-edit.md` |
| 29 | `resources/line-edit.md` |
| 30 | `resources/copyedit.md` |
| 31 | `resources/proofreading.md` |
| 32 | |
| 33 | For adversarial craft critique (as opposed to editorial review), load: |
| 34 | |
| 35 | `resources/prose-critique.md` — methodology and focus-area routing. |
| 36 | `resources/prose-critique/` — deep resources per focus area (structure, |
| 37 | character, voice, prose, continuity). |
| 38 | |
| 39 | When review incorporates reader-sim data: |
| 40 | |
| 41 | `resources/reader-sim-signal.md` — how to interpret and synthesize |
| 42 | reader-sim output alongside analytical critique. |
| 43 |
Discussion
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