Content and copy

Write or edit website copy, blog content, and editorial pieces with attention to voice, structure, and goal.

Content and copy — Creative Direction skill highlight diagram. Navy header card reads 'Impactful Creative Direction' with the subtitle… (from the rampstackco/claude-skills README)

From the rampstackco/claude-skills README — shows the whole collection, not only this skill. · view on GitHub

How to use it

Claude Code
  1. Run the line below. It pulls the whole folder into ~/.claude/skills/content-and-copy.
  2. Describe your job in plain words. Claude Code follows the skill from there.
Claude Code — installs the whole folder, not just SKILL.md
npx degit rampstackco/claude-skills/skills/content-and-copy#main ~/.claude/skills/content-and-copy

For one project only, change the path to .claude/skills/content-and-copy.

Claude (web or desktop app)
  1. On this page open ⋯ → Download .md.
  2. Save it as SKILL.md in a folder, zip the folder, then Customize → Skills → + → Create skill → Upload a skill.
  3. Pick the file and Save. Claude shows the name and description and runs a security scan.
  4. Check the skill is switched on.
  5. Start a new chat and describe your job in plain words. The AI follows the skill from there.
ChatGPT or another app
  1. ChatGPT: make a Project and paste it into Instructions.
  2. Neither? Paste it at the top of a new chat — it works for that chat.
Not working?
  • Check which app you pasted it into — the steps above name the right one.
  • Some skills need the paid tier of Claude or ChatGPT.
Step-by-step guide with screenshots · Ask in the forum

Paste into Claude, ChatGPT or Cursor.

Source of Content and copy

Show the full text219 lines
namedescriptioncategorycatalog_summarydisplay_order
content-and-copyWrite or edit website copy, blog content, and editorial pieces with attention to voice, structure, and goal. Use this skill whenever the user wants to write an article, draft website copy, edit existing content for clarity or voice, write a blog post, or produce general editorial content. Triggers on write a blog post, draft an article, write copy for, edit this, rewrite this, write content, write a guide, draft a how-to, write web copy. Also triggers when content has been outlined and now needs to be written, or when existing content needs voice or clarity edits.contentWebsite copy, blog content, content production frameworks3

Content and Copy

Write or edit content that serves a specific reader and goal. Stack-agnostic. This skill is for general content production. Specialized skills exist for landing pages (landing-page-copy) and email (email-sequences).


When to use

  • Writing a blog post or article
  • Drafting website copy (homepage sections, about, services)
  • Editing existing content for voice or clarity
  • Writing how-to guides, listicles, or explainers
  • Producing knowledge base or help center articles
  • Adapting brand voice to a specific piece

When NOT to use

  • Landing pages with conversion goals (use landing-page-copy)
  • Email campaigns or sequences (use email-sequences)
  • Brand voice definition (use brand-voice)
  • SEO keyword research (use seo-keyword)
  • Content strategy and planning (use content-strategy)

Required inputs

  • The piece to be written or edited
  • The target reader (specific audience segment)
  • The goal of the piece (inform, convert, rank, retain, entertain)
  • The brand voice (or willingness to define it)
  • Length target and any structural constraints

If brand voice is undefined, run brand-voice first or use a working voice and document it as you go.


The framework: 5 dimensions

Strong content is strong on all five. Weakness on any one drags the rest down.

1. Hook

The opening earns the read. Most readers decide whether to continue within 3 to 5 seconds.

Strong hooks do one of:

  • Promise specific value. "By the end, you'll know exactly which X to pick for your situation."
  • Surface a tension. "Most advice on X is wrong. Here's why."
  • Open a loop. A question or scenario the rest of the piece resolves.
  • State a contrarian point. Provided you can defend it.
  • Show, don't summarize. A specific moment or scenario the reader recognizes.

Weak hooks:

  • Throat-clearing ("In today's fast-paced world...")
  • Dictionary-definition openers ("X is a type of Y that...")
  • Stating the obvious ("Many people struggle with X.")
  • Vague promises ("This article will explore X.")
2. Structure

The reader follows the flow without effort.

Common structures:

  • Problem → Solution → Proof. Most non-fiction.
  • List + reasoning. Listicles with substance, not filler.
  • How-to (numbered steps). Procedural content.
  • Compare → Contrast → Recommend. Comparison and review content.
  • Story → Lesson. Narrative non-fiction.
  • Question → Answer → Implication. Explainers and analysis.

Pick a structure. Stick to it. Most weak content fails because the writer drifted between structures.

3. Voice

The piece sounds like the brand.

  • Voice attributes consistent throughout (per brand-voice definition)
  • Tone shifts appropriately for context (a serious topic gets a serious tone, even from a playful brand)
  • Vocabulary preferences honored
  • Grammar and style standards followed (contractions, em dashes, sentence length)
  • Reads aloud like the brand would actually talk

Test: Read a paragraph aloud. Does it sound like the brand? If it sounds like AI, generic marketing, or someone else's voice, edit until it doesn't.

4. Substance

The piece earns its length. Every paragraph adds something.

Substance comes from:

  • Specifics. "Roughly 40 percent" beats "many." Names, numbers, examples, data.
  • Original perspective. Your take, not a summary of everyone else's.
  • Actionable detail. What the reader does with this information.
  • Honest tradeoffs. What's NOT true, what doesn't work, what's overhyped.
  • Real examples. Specific scenarios, real customers, real failures.

Lack of substance shows up as:

  • Padding ("It's important to note that...")
  • Restating the same point in three different paragraphs
  • Generalities that anyone in the category could write
  • Word counts hit by stretching, not depth
5. Closing

The piece ends with intention.

Strong closings:

  • Resolve the loop opened in the hook.
  • Issue a specific next action. What does the reader do now?
  • Land a memorable line. Something quotable.
  • Return to the opening. Echo or invert the first line.

Weak closings:

  • Summary that restates the article
  • "Hope this helps!" or equivalent
  • A wall of CTAs from unrelated programs
  • Trailing off with no clear ending

Workflow

For new pieces
  1. Confirm the brief. Reader, goal, length, voice. If the brief is vague, do not write yet.
  2. Outline. Structure first. Headlines and section purposes only. Skip prose until the structure is sound.
  3. Open with the hook. Write the opening before anything else. If the hook isn't working, the rest won't either.
  4. Draft for substance. First draft is about getting the substance down. Voice comes in editing.
  5. Edit for voice. Read aloud. Tighten sentences. Cut padding. Apply brand voice.
  6. Edit for clarity. Each paragraph: does it earn its place? Each sentence: is the meaning unambiguous?
  7. Pre-publish checks. Headers in order, no skipped levels, internal links present, image alt text written, SEO basics applied (title, meta, slug).
For editing existing content
  1. Read the whole piece first. Do not edit on first read. Understand it before changing it.
  2. Identify what's working. Note the strong sections so you don't damage them.
  3. Identify what's broken. Voice mismatches, weak structure, vague claims, padding.
  4. Edit by priority. Structure first (move sections, cut sections). Then substance (strengthen claims). Then voice. Then sentence-level polish.
  5. Read aloud. Catch awkward phrasing the eye misses.

Failure patterns

  • Writing without a brief. Without reader, goal, and voice defined, the piece drifts.
  • Burying the lead. The most important thing is in paragraph 8 because the writer "got there."
  • Padding to hit word count. Length should serve the reader, not the production schedule.
  • Generic voice. Sounds like every other article in the category. Brand voice neutralized.
  • Weak transitions. Sections feel disconnected. Reader has to do the work the writer should have done.
  • No closing. The piece runs out instead of ending.
  • Edit by adding. Fixing weak content by piling on more words. Strong editing usually cuts.
  • Ignoring the headers. Headers carry navigation weight. Bad headers fail readers who scan.

Output format

Default output is a markdown document at [content-slug].md ready to import into the CMS.

Structure:

# [H1: matches the title or tightly paraphrases]

[Hook paragraph. Earns the read in 3 to 5 seconds.]

[Body content with H2 sections, H3 subsections where useful.]

## [H2 section heading - descriptive, not clever]

[Section content.]

### [H3 if needed]

[Subsection content.]

## [H2 section heading]

[Section content.]

## [Closing section]

[Closing that resolves and points to next action.]

Front-matter for SEO and CMS:

---
title: [SEO title, 50 to 60 chars]
description: [Meta description, 120 to 160 chars]
slug: [url-slug]
author: [author]
date: [YYYY-MM-DD]
last_updated: [YYYY-MM-DD]
tags: [tag1, tag2]
category: [category]
---

Reference files

1---
2name: content-and-copy
3description: "Write or edit website copy, blog content, and editorial pieces with attention to voice, structure, and goal. Use this skill whenever the user wants to write an article, draft website copy, edit existing content for clarity or voice, write a blog post, or produce general editorial content. Triggers on write a blog post, draft an article, write copy for, edit this, rewrite this, write content, write a guide, draft a how-to, write web copy. Also triggers when content has been outlined and now needs to be written, or when existing content needs voice or clarity edits."
4category: content
5catalog_summary: "Website copy, blog content, content production frameworks"
6display_order: 3
7---
8 
9# Content and Copy
10 
11Write or edit content that serves a specific reader and goal. Stack-agnostic. This skill is for general content production. Specialized skills exist for landing pages (`landing-page-copy`) and email (`email-sequences`).
12 
13---
14 
15## When to use
16 
17- Writing a blog post or article
18- Drafting website copy (homepage sections, about, services)
19- Editing existing content for voice or clarity
20- Writing how-to guides, listicles, or explainers
21- Producing knowledge base or help center articles
22- Adapting brand voice to a specific piece
23 
24## When NOT to use
25 
26- Landing pages with conversion goals (use `landing-page-copy`)
27- Email campaigns or sequences (use `email-sequences`)
28- Brand voice definition (use `brand-voice`)
29- SEO keyword research (use `seo-keyword`)
30- Content strategy and planning (use `content-strategy`)
31 
32---
33 
34## Required inputs
35 
36- The piece to be written or edited
37- The target reader (specific audience segment)
38- The goal of the piece (inform, convert, rank, retain, entertain)
39- The brand voice (or willingness to define it)
40- Length target and any structural constraints
41 
42If brand voice is undefined, run `brand-voice` first or use a working voice and document it as you go.
43 
44---
45 
46## The framework: 5 dimensions
47 
48Strong content is strong on all five. Weakness on any one drags the rest down.
49 
50### 1. Hook
51 
52The opening earns the read. Most readers decide whether to continue within 3 to 5 seconds.
53 
54**Strong hooks do one of:**
55 
56- **Promise specific value.** "By the end, you'll know exactly which X to pick for your situation."
57- **Surface a tension.** "Most advice on X is wrong. Here's why."
58- **Open a loop.** A question or scenario the rest of the piece resolves.
59- **State a contrarian point.** Provided you can defend it.
60- **Show, don't summarize.** A specific moment or scenario the reader recognizes.
61 
62**Weak hooks:**
63 
64- Throat-clearing ("In today's fast-paced world...")
65- Dictionary-definition openers ("X is a type of Y that...")
66- Stating the obvious ("Many people struggle with X.")
67- Vague promises ("This article will explore X.")
68 
69### 2. Structure
70 
71The reader follows the flow without effort.
72 
73**Common structures:**
74 
75- **Problem → Solution → Proof.** Most non-fiction.
76- **List + reasoning.** Listicles with substance, not filler.
77- **How-to (numbered steps).** Procedural content.
78- **Compare → Contrast → Recommend.** Comparison and review content.
79- **Story → Lesson.** Narrative non-fiction.
80- **Question → Answer → Implication.** Explainers and analysis.
81 
82Pick a structure. Stick to it. Most weak content fails because the writer drifted between structures.
83 
84### 3. Voice
85 
86The piece sounds like the brand.
87 
88- Voice attributes consistent throughout (per `brand-voice` definition)
89- Tone shifts appropriately for context (a serious topic gets a serious tone, even from a playful brand)
90- Vocabulary preferences honored
91- Grammar and style standards followed (contractions, em dashes, sentence length)
92- Reads aloud like the brand would actually talk
93 
94**Test:** Read a paragraph aloud. Does it sound like the brand? If it sounds like AI, generic marketing, or someone else's voice, edit until it doesn't.
95 
96### 4. Substance
97 
98The piece earns its length. Every paragraph adds something.
99 
100**Substance comes from:**
101 
102- **Specifics.** "Roughly 40 percent" beats "many." Names, numbers, examples, data.
103- **Original perspective.** Your take, not a summary of everyone else's.
104- **Actionable detail.** What the reader does with this information.
105- **Honest tradeoffs.** What's NOT true, what doesn't work, what's overhyped.
106- **Real examples.** Specific scenarios, real customers, real failures.
107 
108**Lack of substance shows up as:**
109 
110- Padding ("It's important to note that...")
111- Restating the same point in three different paragraphs
112- Generalities that anyone in the category could write
113- Word counts hit by stretching, not depth
114 
115### 5. Closing
116 
117The piece ends with intention.
118 
119**Strong closings:**
120 
121- **Resolve the loop opened in the hook.**
122- **Issue a specific next action.** What does the reader do now?
123- **Land a memorable line.** Something quotable.
124- **Return to the opening.** Echo or invert the first line.
125 
126**Weak closings:**
127 
128- Summary that restates the article
129- "Hope this helps!" or equivalent
130- A wall of CTAs from unrelated programs
131- Trailing off with no clear ending
132 
133---
134 
135## Workflow
136 
137### For new pieces
138 
1391. **Confirm the brief.** Reader, goal, length, voice. If the brief is vague, do not write yet.
1402. **Outline.** Structure first. Headlines and section purposes only. Skip prose until the structure is sound.
1413. **Open with the hook.** Write the opening before anything else. If the hook isn't working, the rest won't either.
1424. **Draft for substance.** First draft is about getting the substance down. Voice comes in editing.
1435. **Edit for voice.** Read aloud. Tighten sentences. Cut padding. Apply brand voice.
1446. **Edit for clarity.** Each paragraph: does it earn its place? Each sentence: is the meaning unambiguous?
1457. **Pre-publish checks.** Headers in order, no skipped levels, internal links present, image alt text written, SEO basics applied (title, meta, slug).
146 
147### For editing existing content
148 
1491. **Read the whole piece first.** Do not edit on first read. Understand it before changing it.
1502. **Identify what's working.** Note the strong sections so you don't damage them.
1513. **Identify what's broken.** Voice mismatches, weak structure, vague claims, padding.
1524. **Edit by priority.** Structure first (move sections, cut sections). Then substance (strengthen claims). Then voice. Then sentence-level polish.
1535. **Read aloud.** Catch awkward phrasing the eye misses.
154 
155---
156 
157## Failure patterns
158 
159- **Writing without a brief.** Without reader, goal, and voice defined, the piece drifts.
160- **Burying the lead.** The most important thing is in paragraph 8 because the writer "got there."
161- **Padding to hit word count.** Length should serve the reader, not the production schedule.
162- **Generic voice.** Sounds like every other article in the category. Brand voice neutralized.
163- **Weak transitions.** Sections feel disconnected. Reader has to do the work the writer should have done.
164- **No closing.** The piece runs out instead of ending.
165- **Edit by adding.** Fixing weak content by piling on more words. Strong editing usually cuts.
166- **Ignoring the headers.** Headers carry navigation weight. Bad headers fail readers who scan.
167 
168---
169 
170## Output format
171 
172Default output is a markdown document at `[content-slug].md` ready to import into the CMS.
173 
174Structure:
175```markdown
176# [H1: matches the title or tightly paraphrases]
177 
178[Hook paragraph. Earns the read in 3 to 5 seconds.]
179 
180[Body content with H2 sections, H3 subsections where useful.]
181 
182## [H2 section heading - descriptive, not clever]
183 
184[Section content.]
185 
186### [H3 if needed]
187 
188[Subsection content.]
189 
190## [H2 section heading]
191 
192[Section content.]
193 
194## [Closing section]
195 
196[Closing that resolves and points to next action.]
197```
198 
199Front-matter for SEO and CMS:
200```yaml
201---
202title: [SEO title, 50 to 60 chars]
203description: [Meta description, 120 to 160 chars]
204slug: [url-slug]
205author: [author]
206date: [YYYY-MM-DD]
207last_updated: [YYYY-MM-DD]
208tags: [tag1, tag2]
209category: [category]
210---
211```
212 
213---
214 
215## Reference files
216 
217- [`references/content-brief-template.md`](references/content-brief-template.md) - The brief that should exist before any content is written.
218- [`references/content-edit-checklist.md`](references/content-edit-checklist.md) - Pre-publish editing checklist.
219 

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