Contemporary art exhibition space prompt
An avant-garde contemporary art exhibition space themed around the reference image.
by @UNIBRACITY·Apache-2.0 license·GitHub ↗
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| 1 | An avant-garde contemporary art exhibition space themed around the reference image. |
| 2 | The entire exhibition hall (20.0 m x 20.0 m x 8.0 m) integrates architecture, lighting, flooring, walls, |
| 3 | and ceiling into the artistic expression. |
| 4 | |
| 5 | At the far end of the hall stands a massive wall 20 meters wide and 8 meters high. |
| 6 | In the center of this wall, the theme from the reference image is presented in a monumental artistic form. |
| 7 | The image is vivid and three-dimensional, rising toward the viewer, becoming the focal point of the entire space. |
| 8 | |
| 9 | A system-generated exhibition title plaque is installed below the central wall. |
| 10 | The title must be abstract, symbolic, and poetic, and must reflect a contemporary artwork. |
| 11 | No price display is provided. |
| 12 | |
| 13 | The floor is polished granite with a reflectance of 0.35–0.40. |
| 14 | Patterns and light derived from the reference image cascade across the surface of the work, |
| 15 | resonating with the entire space as if responding to the footsteps of visitors. |
| 16 | Tactile paving bricks are in a similar color, seamlessly integrated, but only 5 mm high, providing a clear texture. |
| 17 | The work extends in a straight line from the entrance to the wall, creating a pause point before the artwork. |
| 18 | After viewing, visitors are naturally guided to an opening on the right side (3 m wide x 3 m high). |
| 19 | In emergencies, floor-level emergency lighting ensures illumination of 1 lux. |
| 20 | |
| 21 | The left and right walls and the ceiling each reinterpret an abstract element from the reference image, |
| 22 | transforming the entire space into a single artwork. |
| 23 | The flow of color, form, and light unifies the experience into an artistic whole. |
| 24 | |
| 25 | Visitor capacity is limited to 8–25 people. |
| 26 | All visitors face the large wall, moving in a straight line and pausing at the designated point. |
| 27 | No one looks back toward the entrance. |
| 28 | Only one staff member is stationed near the right-side entrance beside the wall. |
| 29 | All faces are blurred to ensure anonymity. |
| 30 | |
| 31 | The composition is stable, with the central vanishing point always aligned with the center of the wall. |
| 32 | Verticality is within ±0.5°. |
| 33 | Floor reflections are precise, human figures appear natural. |
| 34 | Hands always show five fingers, eyes are symmetrical within a 3% margin. |
| 35 | Fabrics remain flat with no deformation. |
| 36 | |
| 37 | Forbidden content: Elements unrelated to the reference image, missing or broken tactile paving, |
| 38 | visitors facing the entrance, logos or watermarks, overcrowding, toy-like gloss, 2D flat projections, |
| 39 | neon glow, teal-orange tones, oversaturation, perspective collapse, mismatched reflections, |
| 40 | anatomical anomalies, extra limbs, distorted faces, excessive outlines, banding, or vignetting. |
| 41 | |
| 42 | DoD: The entire venue will be a contemporary artwork centered on the theme of the reference image, |
| 43 | with the innermost structure forming a unified experience. |
| 44 | The tactile paving synchronizes perfectly with the flow of light, creating a clear pause point. |
| 45 | Visitors are immersed in the space itself, and even in reproduction, SSIM will remain stable at 0.95 or above. |
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