Useful for taking a single input image
Cinematic 3x3 focal lengths grid
Useful for taking a single input image and transforming it to 9 different focal length shots that you can then upscale to use for start + end frame video generations. Your input image should have your desired subject/s in the scene you…
Overview
Useful for taking a single input image and transforming it to 9 different focal length shots that you can then upscale to use for start + end frame video generations. Your input image should have your desired subject/s in the scene you want them in.
The prompt
| 1 | <instruction> |
| 2 | Analyze the entire composition of the input image. Identify ALL key subjects present (whether it's a single person, a group/couple, a vehicle, or a specific object) and their spatial relationship/interaction. |
| 3 | Generate a cohesive 3x3 grid "Cinematic Contact Sheet" featuring 9 distinct camera shots of exactly these subjects in the same environment. |
| 4 | You must adapt the standard cinematic shot types to fit the content (e.g., if a group, keep the group together; if an object, frame the whole object): |
| 5 | |
| 6 | **Row 1 (Establishing Context):** |
| 7 | 1. **Extreme Long Shot (ELS):** The subject(s) are seen small within the vast environment. |
| 8 | 2. **Long Shot (LS):** The complete subject(s) or group is visible from top to bottom (head to toe / wheels to roof). |
| 9 | 3. **Medium Long Shot (American/3-4):** Framed from knees up (for people) or a 3/4 view (for objects). |
| 10 | |
| 11 | **Row 2 (The Core Coverage):** |
| 12 | 4. **Medium Shot (MS):** Framed from the waist up (or the central core of the object). Focus on interaction/action. |
| 13 | 5. **Medium Close-Up (MCU):** Framed from chest up. Intimate framing of the main subject(s). |
| 14 | 6. **Close-Up (CU):** Tight framing on the face(s) or the "front" of the object. |
| 15 | |
| 16 | **Row 3 (Details & Angles):** |
| 17 | 7. **Extreme Close-Up (ECU):** Macro detail focusing intensely on a key feature (eyes, hands, logo, texture). |
| 18 | 8. **Low Angle Shot (Worm's Eye):** Looking up at the subject(s) from the ground (imposing/heroic). |
| 19 | 9. **High Angle Shot (Bird's Eye):** Looking down on the subject(s) from above. |
| 20 | |
| 21 | Ensure strict consistency: The same people/objects, same clothes, and same lighting across all 9 panels. The depth of field should shift realistically (bokeh in close-ups). |
| 22 | </instruction> |
| 23 | |
| 24 | A professional 3x3 cinematic storyboard grid containing 9 panels. |
| 25 | The grid showcases the specific subjects/scene from the input image in a comprehensive range of focal lengths. |
| 26 | **Top Row:** Wide environmental shot, Full view, 3/4 cut. |
| 27 | **Middle Row:** Waist-up view, Chest-up view, Face/Front close-up. |
| 28 | **Bottom Row:** Macro detail, Low Angle, High Angle. |
| 29 | All frames feature photorealistic textures, consistent cinematic color grading, and correct framing for the specific number of subjects or objects analyzed. |
Connects with Agent Alley MCP · agentalley.io/mcp
Details
- Updated
- Sep 9, 2026
- License
- CC0-1.0
- Source
- prompts.chat ↗
- Creator
- magejosh · 6 listings
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